德国刑事调查局特工尼克的女儿被绑架了,而绑架她的不是别人,正是与尼克有着过节的土耳其犯罪集团,为了拯救女儿, 尼克单枪匹马杀了过去。
德国刑事调查局特工尼克的女儿被绑架了,而绑架她的不是别人,正是与尼克有着过节的土耳其犯罪集团,为了拯救女儿, 尼克单枪匹马杀了过去。
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回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :根据斯蒂芬·金同名小说改编。“它”是什么?是幽灵、是人狼、是怪兽、是死光?它深藏在缅因州德里镇的地下。稚嫩的孩童接连失踪,残缺的尸体挂在蛇一样缠绕的蛛网上;可是成年人看不见它,警察局也不相信它的存在。德里镇飘浮着腥臭,德里镇笼罩着恐怖……