王小鹏是个富家子弟，日本却最恨别人说他是公子哥，日本他一心要证明自己有独立的能力，不论是在生活上还是工作上。艾晴从小学习绘画，除了画画几乎什么事都不会干，但她一点不担心，因为总会有人帮她把别的事情帮好，特别是嫁给王小鹏之后，老公无微不至的关怀使她感到非常安全。婆婆张倩却在一个意想不到的日子里突袭而来，把正在熟睡的艾晴逮个正着，这回家里乱糟糟的境像、两个人没有规律的生活全被发现了。张倩拿出早已准备好的协议，要小两口签署，上面写得明白，一个月之后，要是小两口的生活状态还没有改善，就得回去住。
回复 :在这部记录下泪水与欢呼的剧集中，七支自行车队在2022年全球最艰苦的自行车赛中展开角逐。
回复 :Ksyusha hardly remembers her father: he disappeared when she was still little. And now, 10 years later, his icy body is found in the mountains. Incredibly, he is showing signs of life, even though he is in a coma. In this state, he is brought home. Ksyusha's mother remarried a long time ago, and the return of the former owner destroys the quiet life of the family: inexplicable and terrible things that carry a mortal threat begin to happen in the house, and Ksyusha's mother is behaving more and more strangely ... The girl begins to suspect that together with her father in something supernatural, icy, lifeless has come to their home. And now Ksyusha and her stepfather have to protect the family from a demonic entity.
曾春年
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
