未来某年的7月2日，魔法美国各地的监视站发现一艘直径达数百英里的巨大飞船接近了地球。飞船发出的无线电信号干扰了地球的通信卫星信号，魔法并放出了多艘直径达15英里的子飞船飞抵地球上各大城市的上空。外星飞船敌友未明，人们陷入了恐慌和迷惑。电脑工程师戴维（杰夫•戈德布拉姆 饰）破译出外星人发出的无线电信号，其实是攻击的倒计时信号，他设法通知了前妻，总统的助理康妮，但是为时已晚，7月3日，外星人的飞船开始攻击地球，人类文明瞬间遭到巨大的打击和灾难。总统（比尔•普尔曼 饰）等人撤离到军事基地，指挥空军反击，却犹如以卵击石，毫无作用，军事基地也被摧毁，唯有飞行员史蒂文（威尔•史密斯 饰）设法诱使一架外星人战斗飞艇坠毁。幸存者们逃到了秘密军事基地，在那里，科学家们一直在研究一艘50多年前坠毁的外星飞艇，致力于找出对付外星人的办法，那里也是人类最后的希望……
回复 :抗战期间，83岁高龄的苏北海安名士韩国钧老先生被新四军的真诚抗战与严明纪律所打动，在新四军江北总指挥陈毅的劝说下，出面呼吁江北各界团结一心，国共两党停止纷争，共同抗日海安沦陷后，韩国钧不为日伪的诱惑所动，面对日伪威逼他出任伪省长，至死不从的爱国情怀和民族气节。
回复 :王玫瑰是私家侦探，饶勇善战，人称“女战士”。她与表姐白兰在香港开设了一间私家侦探社。有一次，王玫瑰助国际刑警侦破全东南亚最大毒品交易，因而得罪哥伦比亚的毒贩矢志，矢志于是重金雇杀手团杀死国际刑警及王玫瑰泄愤。主脑雄狮派黑豹、山猫和羚羊三个杀人王执行任务，并将国际刑警一一杀害，最后一个目标是香港的王玫瑰。一连串的暗杀事件引起联邦密探的注意，他们派周宏到香港调查。由于王玫瑰的机警和周宏的协助逃过一次次的暗杀，周宏根据蛛丝马迹，他发觉雄的秘密拍档就是王玫瑰的舅父陈方。后来，周宏和王玫瑰查悉陈方，于是赶到上址，发觉其内哄，陈方被杀。经过一轮激战，终于把杀手集团毛彻底歼灭。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
