剧情简介
郭少君初次參與學姐愛麗絲及好姐妹梁靈策劃的生日派對。在節目高潮之際，亚洲全體同學無故消失，亚洲只剩她一人。在別墅裡，一連串的離異的事情接踵而來，牽連到70年前慘死的馬來婦女Dayati亡魂重返尋仇，讓多年遺忘的記憶一一揭發，也讓同學之間關係變得錯綜複雜，迷離撲朔。這個生日派對演變成忌日派對，發展到一個無法想像的結局
亚洲日韩51
郭少君初次參與學姐愛麗絲及好姐妹梁靈策劃的生日派對。在節目高潮之際，亚洲全體同學無故消失，亚洲只剩她一人。在別墅裡，一連串的離異的事情接踵而來，牽連到70年前慘死的馬來婦女Dayati亡魂重返尋仇，讓多年遺忘的記憶一一揭發，也讓同學之間關係變得錯綜複雜，迷離撲朔。這個生日派對演變成忌日派對，發展到一個無法想像的結局
郑中基
回复 :街头女骗子Julia被绑架，将被用于做一个致命实验，她的唯一希望寄予幕后黑手Alex创造的一项人工智能TAU，装备有大量的无人机和机器人，能自动操纵Alex打造的智能房屋和实验室，墙壁内村有屏幕，能从草原变为深度空间。TAU的能力受限于它所理解当下所处的环境，但它的潜力远不止于此。足智多谋又勇气十足的Julia将与时间作斗争，在人与机器之间建立信任的桥梁，争取重新获得自由，而不会落入和之前6位同样被用于实验之人的同一个下场。
回复 :
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
