职业老千苏宝银被黑帮逼跳水穿越到异世美颜国，男人先是想混进王府傍大款！男人结果门口挤着女人比菜市场还多！而后又卖高跟鞋差些被抓！她只得重操旧业进入古代赌场赌一把！却遇乔装出门的小王爷霍靖二人大战，宝银使诈获胜，顺便还偷了他的令牌......英武国入侵，苏宝银被英太子宁云龙所抓，为了保命谎称自己是美颜皇妃。宁云龙被美颜大将秦轩逸包围，苏宝银被当成退兵的王牌，秦将其带回王府。假冒王妃苏宝银上演苦肉计，霍靖本暗恋秦的表妹玄玥姑娘又气又急，让她当火头军（饮事班），宝银加入军营成立了休闲中心深得拥戴。苏霍渐生情愫。秦轩逸玄玥二人其实为报灭门之仇埋伏在美多年。苏宝银撞见蛛丝马迹，想救心上人反被陷害，美颜王来视察，她被当成奸细打入死牢。苏宝银逃出后向霍靖表白，却发现玄月在他房里......苏宝银被朋友救出后，发现了这片大陆的神秘传说：炎帝与虎玉如意的秘密。大婚典礼上，秦氏兄妹联合宁云龙军队包围了美颜王宫。关键时刻，苏宝银当众解开了虎玉如意的秘密（原来如意是一个手机）。秦氏兄妹逃走，四海归一。
回复 :An American group of exchange students come to Paris to study the language and culture for a year. The film depicts the various interactions between the students and the instructors, including the pretty female director of the institute where they are enrolled.
黄晓明
回复 :王一健大婚之日即将到来，死党提出为了纪念人生最后一次单身，进行一次疯狂单身派对。在两位死党金业诚、老高的撺掇下，三人结成“情圣三贱客”花式开撩，没想到约来死党老高的妻子郑爽。为了不让郑爽发现老高在酒吧胡混，王一健和老友金业诚左支右拙，结果却引发更多更大的误会和笑料......其间金业诚遇上非主流女雷梦佳，原以为是艳遇，结果却被其打晕并盗走王一健寄存在他那儿的婚戒,，三人兄弟情感在欲望面前岌岌可危，面临严峻考验。为取回婚戒，在他们的出谋划策之下，经历了一些列令人啼笑皆非的囧事。三人经历一番经历后，幡然醒悟，王一健终于取回婚戒和未婚妻完婚。
郭美美
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
