剧情简介
当当地一个小镇的电影院里，免费0秒五名青少年员工发现一部神秘的老电影藏在它的地下室里时，免费0秒他们释放出一个诱人的苏布斯，给他们性教育......写在血液。
免费大片试看120秒
当当地一个小镇的电影院里，免费0秒五名青少年员工发现一部神秘的老电影藏在它的地下室里时，免费0秒他们释放出一个诱人的苏布斯，给他们性教育......写在血液。
回复 :Don刚考到车牌，渴望拥有一辆私人汽车，友人Vicky介绍给他一辆又便宜又靓的跑车，Don非常喜欢，立即买下。Don带着女友Joey驾驶刚购下的跑车出去兜风，突然车内冷气中散发出一阵迷烟，令他们神智不清。恍惚间，两在车内发生了越轨行为。其后，又有多名男女在车内被迷烟侵体，Don发觉有异，遂向神婆邵擎天求助，才得知原来自己车中附着女鬼阿惠……
丁当
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
回复 :Police baffled by the FACELESS KILLER!A faceless dummy of a serial killer haunts a police department in this atmospheric noir thriller from Fleischer. The dummy is created to represent an elusive strangler who calls himself 'The Judge' and whom the frustrated detective Harry Grant attempts to reconstruct from a handful of clues, such as body size and suit fabric. Sure enough, as the dummy becomes more real, reason and sound judgement encounter the uncanny.
