剧情简介
亚洲Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.
亚洲区在线
亚洲Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.
致列
回复 :这部体育纪录片探究了印度最大的假球丑闻、深陷其中的著名人物，以及揭露腐败内幕的记者。
雨天
回复 :警察可以维持正义也可以耍流氓，当他遇上流氓中的流氓--美国政府，谁才能站稳地盘。1950年初，四个洛杉矶的CIA干员，自行组成一个小队组织，他们就是骇人听闻的正义份子----CIA情报干员。在一次例行查案中，CIA的领队麦克斯胡佛意外地发现一项惊世的内幕----在二次世界大战美国对广岛投下第一颗原子弹后，美国原子能协会更加积极暗地里进行「人体实验计划」，利用年轻力壮的军人作实验，以研究原子武器的开发，而这项惊人的发现，却为自己的妻子及整个组织惹上麻烦....发现这个计划 ，这四个人暗中进行调查，在调查行动中，这四人也成为政府及FBI 毁灭的目标..拥有特权的四个CIA干员，为了正义，这回他们不能行使特权，只能勇敢的向美国政府争回自己的地盘....
张馨予
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
