剧情简介
一个名叫克林的垃圾工被他的过去所折磨，芭蕉他希望能在平静的生活中得到救赎，但很快他发现他必须要和他过去的种种暴力行为进行和解。
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一个名叫克林的垃圾工被他的过去所折磨，芭蕉他希望能在平静的生活中得到救赎，但很快他发现他必须要和他过去的种种暴力行为进行和解。
林颐
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :通过对一位10岁台湾小朋友以诺第一次做客吉林市及结识吉林小朋友的亲身体验和真实感受的纪实，讲述了小主人公在祖国吉林省吉林市的见闻及自身的心理变化，从一开始的不适应到慢慢接受再到最终爱上这里。
回复 :唐德宗元年，长安出现异象，道士预言黑蛟即将出世危害一方百姓，渔户经常用三畜三禽祭拜，却始终没有换来安定。这日河西一户吕姓书生（陈浩民饰）得到父亲应允，坐船东渡与白氏之女白瑛（李萌萌饰）去退婚，这时天气突现异象险些造成船毁人亡，惊险之余到达白家后却发现白瑛父亲在百花楼失踪，此次东行接连失利。百花楼内险象迭生，书生想要逃离之际，却遇到了上仙太白金星，被告知自己是白鹤上仙转世，前世今生黑蛟都是书生必须经历的劫难。
