广东人张三波（梁醒波 饰）和南方人李四宝（刘恩甲 饰）租住在同一间公寓里，免费两人又同样经营着洋服店，免费互为竞争对手关系的他们之间常常因为生意问题而产生矛盾，生活中也经常因为南北习惯的差异而爆发争吵。张三波有一个宝贝女儿丽珍（白露明 饰），哪知道自己辛辛苦苦栽培的女儿竟然便宜了名叫王文安（雷震 饰）的外省人。与此同时，李四宝的女儿翠华（丁皓 饰）也喜欢上了广东人麦永辉（张清 饰），张三波和李四宝这两个原本的死对头，竟然因为儿女的事情渐渐有了共同话题。之后，两人的洋服店因为资金运转不周而面临倒闭的窘境，这个节骨眼上，王文安和麦永辉出手相助，最终两家人化解了误会，喜结连理。
功夫
回复 :电影《倩狐之妖乱青华》 改编自古典小说《聊斋》聂小倩篇，该片主要讲述了文弱书生宁采臣得中进士赴任青华县，聂小倩金蝉灵体之身被一众妖物觊觎，往昔情比金坚的俩人却一度深陷情感沼泽，繁杂的情感纠葛之后终是战胜了一切有情人终成眷属。
王珏
回复 :中国容华杂技团有一个尽人皆知的动物明星，它就是会打棒球的低地大猩猩灵灵。受老团长影响，灵灵很早便学习击打棒球，而从小和它一起长大的15岁驯兽师赵薇薇（徐娇 饰）与灵灵合作默契，并且能够用人类和猩猩的语言交流。可是老团长为了让山地大猩猩雷霆和灵灵组成击打组合而债台高筑，在他去世后，薇薇以柔弱的臂膀支持着杂技团的运营，却渐渐被债主逼到绝境。危急时刻，韩国职棒的金牌经纪人成忠秀（成东日 饰）找到薇薇，他花言巧语，邀请灵灵以正式球员的身份加入积分垫底的韩国斗山队。为了早日还清债务，薇薇带着灵灵背井离乡，展开了一段前途未卜的职棒之旅……本片根据韩国漫画家许英万的原作《第七个球队》改编。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
