剧情简介
信号
信号2007
信号
黎安莱姆丝
回复 :入围塔林电影节影评人之选竞赛。Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)
陈绍楠
回复 :该剧讲述了江城码头，一场规模浩大围捕毒犯的行动正在极其隐蔽地展开，在收网之际，毒犯逃之夭夭。此案所涉及的范围之广、毒品数量之多以及案件本身的千里迢迢楀或然无前例，远超众人想像。缉毒刑警廖恒紧急受命侦破此案。一起跨国特大贩毒案由此初露端倪。
丹堤汤玛斯
回复 :Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukikoʼs face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions. In the past, when Haru had lost her mother as a junior high school student, she met and talked separately to Yukiko and Tsuyoshi by chance who seemed to suffer from heartache. The action was brought by the remorse that Haru couldnʼt help her mother while knowing her sadness. Haru has kept watching Yukiko and Tsuyoshi now and then. Occasions that Tsuyoshi, who has been aware of Haruʼs behavior, appears at her workplace and Haru once again talks to Yukiko unfold new dimensions in each relationship. Haru confronts with her own feeling toward her mother and grief during the days passing with the two.
