事业有成的男主角彦彬被诊断出不治之症,日韩突如其来的噩耗让他对自己的人生产生了怀疑,日韩一场酒局后,彦彬发现自己和兄弟莫名身处渺无人烟的荒原,在赶回手术台路上发生的一系列奇葩爆笑的故事。
事业有成的男主角彦彬被诊断出不治之症,日韩突如其来的噩耗让他对自己的人生产生了怀疑,日韩一场酒局后,彦彬发现自己和兄弟莫名身处渺无人烟的荒原,在赶回手术台路上发生的一系列奇葩爆笑的故事。
回复 :讲述了大庆从自暴自弃到励志蜕变的过程。女友在金店工作,大庆来到金店门口想给女友一个生日惊喜,却意外撞到女友和有钱人的暧昧纠缠,大庆明白了一切,原本以为单纯的爱情却被现实狠狠打了一巴掌,大庆变得颓废,酗酒成瘾。醉醺醺的大庆在酒吧的门口上演一幕喜剧,酒吧买醉的大庆述说着自己的心伤,一首《味道》唱出来多少人的伤心,一首歌引起酒吧老板小玉赏识,被生活所迫的大庆选择接受酒吧歌手的工作,同时两人展开了甜蜜的爱恋,却因此得罪了酒吧经理,不幸的是小玉的身体却一天不如一天......
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
回复 :Set in Dublin Glassland tells the story of a young taxi driver (Reynor) who gets tangled up in the world of human trafficking while trying to save his mother (Collette) from addiction.