十年前,郭云飞的父亲因为报道一起CZ12文物走私案件而失踪,郭云飞为了查出事件真相,接替成为新一任网络黑客“金手指”。在调查过程中,牵扯出CZ12和丰润集团的关系。丰润集团为了对抗“金手指”入侵,邀请黑客组织“粉碎者联盟”的山猫进行反击。与此同时,警察沈昊也在暗中调查CZ12的真相。警察和黑客,一个在现实搜索证据,一个在网络入侵搜查丰润,来了一场同为正义却一警一匪的较量。虽然在整个过程中沈昊与郭云飞亦敌亦友,却共同揭开了罪犯的丑恶面目。
十年前,郭云飞的父亲因为报道一起CZ12文物走私案件而失踪,郭云飞为了查出事件真相,接替成为新一任网络黑客“金手指”。在调查过程中,牵扯出CZ12和丰润集团的关系。丰润集团为了对抗“金手指”入侵,邀请黑客组织“粉碎者联盟”的山猫进行反击。与此同时,警察沈昊也在暗中调查CZ12的真相。警察和黑客,一个在现实搜索证据,一个在网络入侵搜查丰润,来了一场同为正义却一警一匪的较量。虽然在整个过程中沈昊与郭云飞亦敌亦友,却共同揭开了罪犯的丑恶面目。
回复 :毒枭之一李兆基谎称自己重伤身亡的消息在整个城市掀起了轩然大波,原本以为毒枭基哥死了,毒品的供应量会有所减少,没想到吸食毒品的人越来越多。这一天派出所民警张伟仁和李根尚在执勤巡逻时发现了吸毒可疑人员,通过审讯调查,抽丝剥茧,最终矛头指向已经死亡的毒枭李兆基和他的干儿子全子,面对这个毒品遍地开花的城市,警察选择迎难而上与各贩毒团伙展开了一场殊死搏斗......
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :A story about the struggle of the International Ladys Garment Worker Union (ILGWU) to unionize a New York sweat shop, Roxton Fashions, in the Garment District. Lee J. Cobb plays Walter Mitchell the owner of a company that is determined to keep the union out of his shop. His partner does not agree, and only wants the workers to have a living wage. He dies in an accident. Kerwin Mathews palys his son Alan, who comes back to New York after a long absence. He does not understand his fathers angry resistance to t he union, and sympathizes with the union.