曾获得绘画大奖的青年木股英雄（忍成修吾 饰），韩国却在某天失心发狂，韩国杀死了担任他模特的女友富江（酒井美纪 饰）。木股的朋友秀日和青山巧（妻夫木聪 饰）目睹这一切，并帮忙搬运掩埋尸体。三人相约保守这个秘密，却不知道更为恐怖的事情还未到来。三人在酒吧散心期间，原本应该死去的富江竟离奇地出现在包间内，木股不堪承受巨大的精神压力，旋即于洗手间内自杀。秀日尝试找到富江的尸体，结果却因此变得愈加疯狂。与此同时，富江又频繁周旋青山身边。这个神秘恐怖的女孩将三个男生相继逼向崩溃的边缘……本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。
付静
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :经历了上一集令人难以置信的变故后，莱姆波特家的长子达尔顿（Ty Simpkins 饰）暂时摆脱恶灵的纠缠，而灵媒伊莉丝（林·沙烨 Lin Shaye 饰）则惨死室中，达尔顿的父亲乔什（帕特里克·威尔森 Patrick Wilson 饰）蒙受杀人嫌疑。由于警方需要继续调查他们的房子，乔什只得带着妻子兰妮（罗丝·拜恩 Rose Byrne 饰）和三个孩子暂时回到母亲劳瑞安（芭芭拉·赫希 Barbara Hershey 饰）家居中。本以为一切回归正常，但是兰妮和孩子们似乎仍在饱受恶灵的纠缠。劳瑞安意识到事态的严重性，于是请来仅次于伊莉丝的灵媒师卡尔（Steve Coulter 饰），试图将一切恢复正常，然而事态却朝着不可预测的方向发展……
回复 :一名女子（莉顿·梅斯特饰）周末到克罗地亚度假，没想到这却出了岔子：她被指控杀害了自己最好的朋友（克里斯蒂娜·乌尔夫斯帕尔饰），并在试图弄清真相的过程中了解到一个令人痛苦的秘密。
