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中文字幕线性爱场面穿插得很生硬,虽然拍得实打实的,但是看得人瞌睡参参神。女主还可以啊,所以只露两点。另外性爱场面中,近景挡住男女密和部位,换个机位又完全展示,这个就有点不懂了,要么就一直遮住,要么就一直暴露嘛。没有这么玩欲拒还休滴吧？
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中文字幕线性爱场面穿插得很生硬,虽然拍得实打实的,但是看得人瞌睡参参神。女主还可以啊,所以只露两点。另外性爱场面中,近景挡住男女密和部位,换个机位又完全展示,这个就有点不懂了,要么就一直遮住,要么就一直暴露嘛。没有这么玩欲拒还休滴吧？
回复 :Known for their quirky skits, comedy duo JaruJaru star in this film about the hilarious occurrences that happen along a food delivery man's route.The movie A・RIGATO ーJARUJARU TOWER 2020ー was released in 2020 and lasts 100 minutes. Parental Guidance suggested This movie is Deadpan, Offbeat, Quirky, Goofy.
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
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