剧情简介
《苗山花》以解放前贵州麻山地区“熊氏三兄妹”中的苗族姑娘熊三妹为人物原型，进入久免故事发生在上世纪30年代末期，进入久免罗甸，望谟，紫云三县交界地区的麻山农民自卫团与国民党地方势力展开艰苦卓绝的的斗争。各族同胞自发加入反抗国民党暴政的革命事业中，歌颂了中国共产党引导少数民族同胞翻身救解放的伟大壮举。
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《苗山花》以解放前贵州麻山地区“熊氏三兄妹”中的苗族姑娘熊三妹为人物原型，进入久免故事发生在上世纪30年代末期，进入久免罗甸，望谟，紫云三县交界地区的麻山农民自卫团与国民党地方势力展开艰苦卓绝的的斗争。各族同胞自发加入反抗国民党暴政的革命事业中，歌颂了中国共产党引导少数民族同胞翻身救解放的伟大壮举。
益西卓玛
回复 :电影《缉毒警》以吴光林和队友们堵截大毒枭马文东为故事主线，讲述了缉毒刑警在武器装备简单，生活条件艰苦的情况下与毒枭展开“你死我活”的斗争。导演张建栋艺术地运用吴光林的黑白和彩色的梦境，形象地表现了终日战斗在生死线上的缉毒警察们紧迫的心理状态及其对美好和平生活的向往。影片试图用艺术的手法再现吴光林有血有肉的坚韧形象，把吴光林帮助贩毒嫌疑人龙奔的妻子阿花和自己中学老师的儿子小姜摆脱生活逆境的感人事迹融合在紧张激烈的故事主线中，使整部影片有张有弛，既充满了紧张激烈的战斗场面又充盈着浓郁的生活气息和温暖的情。
王宏恩
回复 :钟戈（李欣泽 饰）奉命在云川温泉给新上任的上司泽田（徐浩 饰）开招待会，让钟戈没有想到的是，招待会结束没多久，他就收到了自己心爱的妹妹韩真儿（何蓝逗 饰）惨遭绑架的消息。这并不是通常意义上的绑票，韩真儿被关入了密室之中，被迫参与进了一场生死攸关的游戏内。在泽田的帮助之下，钟戈开始了解救韩真儿的行动，经过两人抽丝剥茧般的调查，他们渐渐发现，如今所发生的一切都和曾经发生在云川温泉的未破解命案有着千丝万缕的关联，只有找到当年的杀人凶手，韩真儿才有生还的可能。随着时间的推移，钟戈震惊的发现，一直作为战友站在自己身边的泽田，竟然成为了最大的嫌疑人。
易桀齐
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
