剧情简介
本，害羞虽然他的记忆恢复了，但他没有回家。他的下一个飞跃是在1978年的俄罗斯上空。
害羞草影院
本，害羞虽然他的记忆恢复了，但他没有回家。他的下一个飞跃是在1978年的俄罗斯上空。
回复 :杨光是一家小型装饰公司的经理，通透世故的他只想和气生财，照顾好亲人，可他对自家人的过分包容导致引火烧身，只好挂靠到大型装饰公司赢家，成为一名项目经理，也因此与天才设计师陈曦冤家聚头。杨光陈曦两人完全属于两个世界，还因误会彼此嫌弃，谁知一起工作时，竟意外合拍，在联手打造出良心优质的工程后，消融成见，成为搭档。行业内部乱象频出，一次次的困难和挫折没有击垮二人的原则和底线，反倒让他们更加坚定，努力为客户打造出“理想的房子”，并在这个过程中真正理解了“家”的含义。在他们的不懈努力下，正义战胜了邪恶，为行业铲除了一颗毒瘤，两人的事业更上一层楼，也收获了真挚的爱情。
回复 :怀揣着律师梦想的纯真少女成瑶（章若楠 饰），被一个最顶级的律师事务所录取，于是她决定搬到离公司近一些的地方住可以更好的工作。没想到房东一房两租，成瑶跟另一个租客发生争吵。结果那个人竟然是成瑶律所的老板钱恒（陈星旭 饰）。钱恒第一天就把成瑶调进自己的小组，开始了魔鬼训练，然而训练的目的却是为了要赶走靠关系进来的成瑶。成瑶不明真相以为是自己幸运，加倍努力，在一系列的魔鬼训练中表现突出，反而让钱恒刮目相看。两个人在工作和生活的朝夕相处中，从互相不对付，到彼此关心，逐渐擦出了爱情的火花。经历了风风雨雨，成瑶成长为一个合格的律师，也跟钱恒走向了幸福的婚姻。该剧改编自叶斐然的同名小说《你也有今天》。
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
