19年后，国产国产印第安纳琼斯博士（Harrison Ford饰）再次启程，国产国产旨在将埃克托王国遗失的水晶骷髅头骨归还原地——传说中，归还圣物者将被赐予巨大力量。在琼斯的老友奥克斯发现水晶头骨前，这一切还只是传说。可奥克斯之后却不知何故丧失了心智，并落入苏联特工队的手中。为首的冷酷女间谍艾瑞娜（Cate Blanchett饰）深深着迷于所谓的神秘力量，她胁迫琼斯一行人与其共同前往亚马逊流域，找寻失落的黄金城埃克托王国。在秘鲁密林，琼斯等人和苏军展开酣畅淋漓的战斗，其间还伴随着沼泽、食人蚁、原始土著攻击等致命威胁，在他们历经千难万险，最终踏入密室的那一刻，世界上最奇异的景象出现了……
王凡瑞
回复 :巴里（汤姆·克鲁斯 Tom Cruise 饰）是隶属于美国航空公司的一名飞行员，长期遭受公司压榨的他被中情局特工蒙迪（多姆纳尔·格里森 Domhnall Gleeson 饰）招募，蒙迪将巴里派往南美洲，进行秘密的任务。某日，大毒枭巴布洛找到了巴里，命令巴里替他运送毒品至美国国境之内，碍于自己的身份和所背负的任务，巴里只得就范。当巴里的运毒行为曝光后，为了保护这位特工，蒙迪挺身而出，将他和他的妻子露西（莎拉·赖特 Sarah Wright 饰）送往位于阿肯色州的一个偏僻小镇保护了起来。巴里的生意越做越大，他不仅继续运送毒品，甚至还做起了贩卖军火的生意。
暖乐团
回复 :阿英（许冠英 饰）和肥波（古国华 饰）两人自小一起长大，情同手足；长大后，两人一起到了汽水厂里当了维修工。虽然收入卑微，家境贫寒，但是两人却也其乐融融。一日，两人合伙一起买六合彩，不料真的中了头奖，两个穷光蛋一夜间变成了百万富翁。当红影星琪琪（陈琪琪 饰）一直是阿英的梦中情人，有钱后的阿英很快和她交上了朋友。岂料琪琪看中的只是阿英的钱，看出了端倪的肥波多次劝诫阿英，被迷得晕头转向的阿英没有听从肥波劝告，反而觉得肥波在嫉妒自己，两个好友由此交恶。琪琪骗得阿英所有财产后，忽然消失了，阿英刹那间又变回了穷光蛋……©豆瓣
金沛晟
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
