自从六岁那年，生死妈妈从天台一跃而下，生死林志宏（文俊辉 饰）就再也没有说过一句话。与婆婆相依为命的他生命里从来没有父亲的存在。“爸爸飞去了远方，只要花开爸爸就会回来。”这是妈妈自幼对林志宏说的话。陈满堆（陈奕迅 饰）的童年经历同样不愉快，如果不是遇上老大（曾志伟 饰）可能早已被打死或者饿死街头。老大给他分配任务，成功后给他生活费用。这次的新任务是把黑帮头子纽乔泽（林子祥 饰）的儿子找出来，于是陈满堆进了学校当校工。三个人就这样相遇了，陈满堆，林志宏，以及代课老师miss张（林苑 饰），三个各自怀着自己心事、有着自己心病的人，奇迹般地建立起互相信任、单纯直接的感情。直到纽乔泽出现，大家才惊现林志宏就是纽的儿子。个人都有着自己的使命，亦有着自己的选择。
托比凯斯
回复 :赵梓江初中刚毕业，父母突然宣布离婚，他不舍养母的离开，抵触生母的回归；留守儿童张小璐，遭遇侵犯，精神抑郁，她又必须跟随父亲远离家乡；空巢独居老人杨大爷笑口常开的背后，却有无尽的心酸。面对生活的无奈，他们以爱暖心，不得不走！
刘畊宏
回复 :传言巩族有一神物黑袍，穿上能金身铁骨、羽化升仙。觊觎已久的鲁王带兵剿灭了巩族，连夜出逃的巩嵘决心复仇。机缘巧合之下认识了鲁王的青梅竹马郡主琅芩，两人暗通情愫。鲁王眼线遍布天下，巩嵘被鲁王派出的死士追杀，自此下落不明，生死未卜。一年后，郡主琅芩被迫嫁给鲁王，即将成为王妃。就在鲁王给琅芩操办的寿宴时，出现了一位戏法绝妙的秘术师。琅芩大惊，原来此人竟是消失一年的巩嵘。风起云涌，一场腥风血雨再度袭来……
玄武
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
