剧情简介
本片讲述了学生会领袖波比（维杰德韦拉科达饰）和邦级板球选手莉莉（拉什米卡曼丹娜饰）之间扣人心弦的爱情故事。波比有愤怒管理问题，超萌他要克服这一问题并为他的爱情而战。
超萌英雄
本片讲述了学生会领袖波比（维杰德韦拉科达饰）和邦级板球选手莉莉（拉什米卡曼丹娜饰）之间扣人心弦的爱情故事。波比有愤怒管理问题，超萌他要克服这一问题并为他的爱情而战。
周丽淇
回复 :夏老师是一个热爱钢琴和音乐的年轻人，一方面他来到学校给学生教音乐，另一方面他在一次偶然的机会认识了一位朋友，在他自己的生活中钢琴一直是自己不可缺少的一部分，经历了一些事情后，他也慢慢开始懂得音乐才是自己最喜欢的事物，于是他开始自己追求音乐的脚步，他可以成功吗？
卡朋特乐队
回复 :Jane is a Korean-American. She is staying at her father's friend's house for a few months while she prepares a chain of massage shops in Korea. However, instead of working on her massage shops, all she's doing is selling sex toys on an Internet broadcasting station. Her boyfriend Tae-in doesn't like what she's doing and tries to make her stop. One day, Jane finds out her mother...
珍梦海
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
