侠义神捕之边城迷案
地区:日韩
  类型:古装
  时间:2025-09-17 05:01:07
剧情简介

Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent.OverviewDifferences between Get Smart, Again! and The Nude BombThe film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise.Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred.Theme musicGet Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth.SynopsisMaxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications.Comedic styleThe script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other.Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume".1995 revivalThe relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent.原班人马啊,侠义好想看。TAT

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玉木宏

发表于6分钟前

回复 :贵族少年拉法尔在一次狂欢节上,结识了年轻美貌的姑娘盖列娜,两人一见钟情,并偷偷幽会,两人的私情被家人发现,拉法尔被父亲赶出家门。几年以后,拉法尔在哥哥好友的介绍下参加了秘密组织,见到了昔日情人盖列娜,盖列娜已嫁给秘密组织领导人。尽管如此,她仍深爱着拉法尔。一天夜里,两人被强盗抓住,盖列娜为保全自己,跳下深渊,拉法尔得救后被误认为是强盗,关押了很久后被放出,对生活失去了信心,后来拉法尔在好友的帮助下重新振作起来,并参加了波兰军团。本片根据波兰著名批判现实主义作家热罗姆斯基(Stefan Zeromski )的同名长篇小说改编,获戛纳电影节金棕榈提名。瓦依达在这个题材中所表现出的兴趣所在是十分明显的:他试图追索波兰民族意识的形成过程。此片引起了波兰知识界的热烈评论,许多人文科学界的权威和一些著名作家都发表了自己的看法,再此之前,几乎从来没有一部电影可使知识界产生如此广泛的反应。


蔡琴

发表于7分钟前

回复 :自《那夜的妻子》后已没见这么绝望的小津。战后作品中,只这一部发生在严寒的冬季,亦只这么一部,探往破碎家庭那缺去的一员。已出嫁的大女儿没法与丈夫相处,回到父亲的家寻找避难所;未出嫁的二女儿忽然怀了孩子,夜夜到夜店等候负心汉的出现。与父亲下属私奔多年的母亲,突然闯进两女儿的生活,可二女儿打掉孩子后,再没法承受残酷的现实。戏剧化的故事在小津晚期作品中不多见,但低调的处理手法炮制了不少经典场面。母亲在辞别东京的列车上不断探头张望女儿一幕,几乎预见老人晚境将至的凄凉。豁达面对生命,是小津往后作品的出路。


周奇奇

发表于2分钟前

回复 :电影贯穿于一个女声读信的呓语中,日本、冰岛、几内亚、香港各种影像交叉着,但作者把最多的时间留给了东京。他去记录日本人民的文化和生活,标志性的招财猫,宗教仪式,性文化,漫画,铁道,珍珠港,摇滚乐,街上的舞蹈.....为观众呈现经济奇迹后的日本最真实的一面。作者用影像寄托着他对人类现状的关注,对历史和记忆的思考。


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