本片包含的四个故事是道德力量与死刑这两个关键主题的变奏曲。这就提出了一个问题:反贪风暴在专制政权及其看似不可避免的威胁下,反贪风暴个人自由能在多大程度上得到表达?
本片包含的四个故事是道德力量与死刑这两个关键主题的变奏曲。这就提出了一个问题:反贪风暴在专制政权及其看似不可避免的威胁下,反贪风暴个人自由能在多大程度上得到表达?
回复 :George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes.While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle.The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s.But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way.The high cheese factor is aided by the good-time cast Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl.One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star.Elmer Bernstein's swaggering score helps goose the action along.
回复 :《月亮之上》是中国第一部公路片。影片表现的是草原上成长起来的三代女性。尽管她们成长于不同时代,有着不同时代的文化浸染,但她们所属的那个民族的伟大女性共同的品质,将她们锁定在同一个时代的精神坐标上。她们的亲情、友情、爱情,已不再是个人的感受。她们用生命坚守着自己的信念,诠释着对爱的理解,并将其升华为一种崇高的精神。她们忠于爱情,坚守着家园;她们超越死亡的恐惧,坦然面对生死离别;她们热爱自己的生活,热爱自己的家园,快乐着生命中的每一天。这种博大的、昂扬的、敬畏的精神,是属于这个民族的,是属于这个民族的伟大女性的,更是属于全人类的。电影《月亮之上》力求以思想精深、艺术精湛、制作精良打造一部反映民族精神、民族情感的精品力作。导演独特的女性思维、摄影娴熟流畅的镜头、剪辑收放自如的节奏、演员丰富的艺术表演、音乐动人的长调韵律,使我们感动于爱的温暖的同时,还尽情领略着内蒙古动人的草原风情和自然风光。
回复 :路易莎,20岁,来自优渥家庭,法律专业一年级学生。有感于德国愈发右倾的政治环境和民粹政党的崛起,她与几个朋友联合起来共同反对新右翼活动。不久后,她结识了阿尔法和莱纳,这两人认为暴力是抗争的合理手段。事情随后愈演愈烈,路易莎面临着艰难的抉择...