美术大学五人组的故事仍在继续。竹本（神谷浩史 配音）结束了寻找自我的单车之旅，久久久精品在盛放烟火的晚上对阿久（工藤晴香 配音）说出了那句“我喜欢你。”山田（高桥美佳子 配音）依旧陷在单恋真山（杉田智和 配音）的泥沼中，久久久精品野宫（滨田贤二 配音）的出现成了泥沼里一株逃脱的稻草；真山则继续追寻着理花（大原沙耶香 配音），胜利的曙光在不远处；森田（上田佑司 配音）和阿久，两个天才的兮兮相惜，能否换来最后的相守。时间在四季轮回中流逝，微小的变化一点点积攒成为不可忽视的转折点。五人都面临着新的人生，各奔东西。已逝去的奇迹般的岁月，并不会消失，而成为永久的回忆，在内心转动。改编自同名漫画的《蜂蜜与四叶草》故事也走向终点，但对于他们，这则是新的起点。
张国荣
回复 :这是一座已经倾斜得很严重的古佛塔，历时7个月的艰难施工，终于让它重获新生，随着佛塔浮出地面的过程，一个关于云南的旷古传奇也随之大白于天下。
吴琼
回复 :在我国的“歼-10”战斗机尚未出炉时，通过向苏联引进“苏-27”，中国终于也拥有了第三代战斗机。然而“歼-10”战斗机却在制造的过程中遇到了种种困难，尤其是发动机的问题更是制约着“歼-10”战斗机整个研发进度。以宋文骢为首的一批中国航空工作者，锐意进取、攻坚克难，他们想出了什么妙计解决了发动机的问题？而服役后的“歼-10”战斗机，一旦在空中遭遇到了“苏-27”、“F-16”等其他类型的第三代战斗机，谁又将更胜一筹呢？
空气补给站乐队
回复 :As Hampton Court Palace celebrates its 500th anniversary in 2015, BBC Two brings a key event from the iconic building’s history vividly to life - the christening of Henry’s son and heir Prince Edward, the future Edward VI.With so few surviving buildings left associated with events from this period of British history and the reign of Henry VIII, Lucy Worsley and David Starkey offer audiences an unprecedented insight into Henry VIII’s world. Focusing on the events of 15 October 1537, A Night At Hampton Court Palace will recreate the occasion that was a culmination of nearly three decades of Henry’s rule - the birth of a male heir. As Lucy and David eavesdrop across time, they reveal how Henry’s household came together to create an event that would have been perceived as almost magical by those who witnessed it.They will recreate the 90-person grand procession that would have transported baby Edward to his torch-lit christening service. This was the best recorded occasion staged at Hampton Court during Henry's VIII's reign, and the detailed records allow Lucy and David to show how this great celebration used every part of the palace, from the royal apartments to the kitchens to the Chapel Royal.Offering a unique opportunity to reveal how the many elements of court life would have been brought together, from art to architecture, religion and music, A Night At Hampton Court Palace will capture a pageant that was deeply political but also carefully stage-managed piece of performance art.
