剧情简介
25岁的玛歌正试图完成硕士学位，日韩日日并准备结束一段工作与爱情。在某次派对上，日韩日日她遇见45岁在学校教史地的玛歌，她们不只撞名，人生经历竟然也都一模一样。当年轻的自己与中年的自己相遇，相同灵魂却不同年纪的两人，将会如何为各自走出更好的未来？
日韩日日骚
25岁的玛歌正试图完成硕士学位，日韩日日并准备结束一段工作与爱情。在某次派对上，日韩日日她遇见45岁在学校教史地的玛歌，她们不只撞名，人生经历竟然也都一模一样。当年轻的自己与中年的自己相遇，相同灵魂却不同年纪的两人，将会如何为各自走出更好的未来？
回复 :1930年代，第二次国内革命战争时期。绿林首领白莲花（吴海燕 饰）杀死世仇冤家高敬轩，时逢红军团长肖烈（宫喜斌 饰）前来邀她参加红军队伍，联手抵御白军师长高占魁（胡浩 饰）。白莲花仰慕肖烈艺高人胆大，杀掉新婚夫婿——奸细柳飞，毅然率部参加红军。收编白部后，肖烈帮助他们克服了与生俱来的绿林恶习，并在战斗中与白莲花结为伴侣。高占魁趁红军内部分歧，设计离间政委彭炳青（徐阜 饰）与白莲花的关系，分裂红军内部组织。彭中计后，关押了白莲花。期间，肖烈与她永诀。当彭炳青发现自己中敌离间计，后悔不迭，此时白莲花万念惧灰......
喜多郎
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :影片讲述英国首相丘吉尔在作为首相期间面临的最重要的审判：是向纳粹妥协做俘虏，还是团结人民群起反抗？丘吉尔将集结整个国家为自由奋战，试图改变世界历史进程，度过黎明前的黑暗。
