一个资产阶级作家没有随家人撤离,京男而是满怀喜悦要目睹革命后的古巴现状。他流连于哈瓦那的街头,京男沉思并观望着这个国家的变化,然而他也不自觉地因为自己的好色风流而陷入道德危机之中。
一个资产阶级作家没有随家人撤离,京男而是满怀喜悦要目睹革命后的古巴现状。他流连于哈瓦那的街头,京男沉思并观望着这个国家的变化,然而他也不自觉地因为自己的好色风流而陷入道德危机之中。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :拳赛之日展示了处在生涯巅峰的爱尔兰裔中量级拳手Walter Cartier与中量级鲍比詹姆斯对决的那一天(1950年4月17日)。这部电影以关于拳击历史的短暂旁白开场,然后拍摄Cartier(与他的兄弟Vincent)的一天,这时他正在为晚上10点的比赛做准备。他先在格林威治区西12街的公寓里吃了早餐,然后前去参加了早弥撒,并在他最喜爱的餐馆享用午餐。在下午4点,他开始准备比赛。晚上8点,他在新泽西州纽瓦克的劳雷尔花园的更衣室等待战斗开始。最后,我们看到拳赛的过程,Cartier在短时间内胜出。12分钟版与16分钟版的区别是,后者有一段关于拳击历史的开场旁白(4分钟),由资深新闻播音员Douglas Edwards用一种严肃的,带着些许黑色幽默的语调念出。Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950.
回复 :出品单位:天津鲜明阳光 影视文化传播有限公司摄制单位:天津鲜明阳光 影视文化传播有限公司许可证号影映故字〔2005〕 第1 10号幅别遮幅 片长5本2594米编剧辛苑子导演孙博摄影孙田制片史文科主要演员王建新王一婷 张晶主要内容 妮妮在五岁的时候妈妈就离 开她去了法国,她和爸爸程纪一起 生活,偶然的机会程纪结识了开服 装店的青青。一日,青青在街上发 现了时尚的妮妮,并很喜欢她。妮 妮妈妈原来刚出国的时候还跟程纪 有联系,后来就无音讯了,在妮妮 八岁的时候她的妈妈和年呈乒己办了离 婚手续。原来妮妮妈妈周琳卓...