剧情简介
一個家庭搬到寧靜又與世隔絕的新家。這棟看起來還不錯的新房，观看国产卻籠罩一些不祥的跡象。妻子（徐令姬飾演）在遷入的第一天晚上，观看国产就開始飽受噩夢折磨，並對倉庫裡傳來的怪聲感到心神不寧，不過她的丈夫（金珉才飾）卻對此無動於衷，孩子們也在父母的矛盾中變得焦慮不安。隨著這家人的噩夢愈來愈嚴重，他們開始無法分辨幻想與現實，更將面對深埋在這棟房子裡的驚駭秘密…。
在线观看国产入口
一個家庭搬到寧靜又與世隔絕的新家。這棟看起來還不錯的新房，观看国产卻籠罩一些不祥的跡象。妻子（徐令姬飾演）在遷入的第一天晚上，观看国产就開始飽受噩夢折磨，並對倉庫裡傳來的怪聲感到心神不寧，不過她的丈夫（金珉才飾）卻對此無動於衷，孩子們也在父母的矛盾中變得焦慮不安。隨著這家人的噩夢愈來愈嚴重，他們開始無法分辨幻想與現實，更將面對深埋在這棟房子裡的驚駭秘密…。
柳影虹
回复 :Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is really a maniac with a lot of family problems; his mother ran out on him when he was a child so now he keeps kidnapped women chained up in his barn and trains them to perform circus tricks.
回复 :大概是法国第一部描写女同志的故事片吧。Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
回复 :The incredible story of how Pluto has been propelled from an unremarkable ball of ice on the edge of the solar system to a world of unimaginable complexity - where some form of alien life might exist.Featuring first-hand accounts of the incredible discoveries made by New Horizons from many of the scientists involved in the mission.
