剧情简介
美丽
美丽在望粤语
美丽
回复 :一群从小玩到大的兄弟姐妹，一群从农村来到城市的男女，围绕李大力，东子和小志的兄弟情义，东子的打拼奋斗史，姐姐刘晓佳和妹妹刘晓云之间的隔阂，李大力从一而终的单恋，以及最后各自的情感归属，上演了几重有笑有泪的都市往aaa。专一的李大力与暗恋多年的刘晓佳是否会走到一起。要强能干的东子到底经历了多少坎坷才打拼出一番事业。李大力，东子，小志三兄弟之间为什么会反目成仇。有特殊成长经历的刘晓佳内心深处真正喜欢的是谁。叛逆的问题少女刘晓云为了保护姐姐付出了什么。他们共同诠释了最美好的青春——在人生的旅程中，有兄弟姐妹在真好，不忘初心真好。
彭丽丽
回复 :在高中的一个暑假，桦山由佳（土屋太凤 饰）和其他九名同学从昏迷中醒来，却发现他们被囚在位于某个偏远乡村的废弃建筑物内。众人懵懵懂懂，只有由佳抱着无所谓的态度。这时，放在房间角落里的录像机和电视突然自动运行起来，屏幕中显示出相应文字。在场的十个人禁止走出建筑，他们必须参加人狼游戏。十人中有两个人是人狼，其他“村民”必须在规定时间前找出人狼并将其杀掉，而人狼则同样要设法杀掉村民。截止期限前未完成任务或者违反规则都将面临处死的命运。少男少女带着些许玩乐的心态进行着游戏，可是游戏却朝着难以预料的方向发展……本片根据川上亮的小说原作改编。
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
