潘雪萍
发表于1分钟前回复 :《欢迎光临贝拉的奇幻花园》是一则可爱的现代童话,剧情围绕梦想成为童书作家的强迫症女孩、与个性古怪的园艺大师在伦敦相遇,为了创造一座奇幻花园而发展出一段动人的友情。电影由拍摄广告与摄影闻名的英国导演赛门艾布执导,让英式花园特有的花团锦簇与浪漫在大银幕上盛开。《欢迎光临贝拉的奇幻花园》由气质出众的英国女星杰西卡·布朗·芬德利(Jessica Brown Findlay)饰演每天生活按部就班、却有一堆眉角的怪女孩,英国金奖影帝汤姆威金森(Tom Wilkinson)则饰演个性机车的园艺大师。本片还找来了《新世纪福尔摩斯》(Sherlock)的大反派安德鲁史考特(Andrew Scott),饰演片中的暖男厨师,以及《战马》的帅哥杰瑞米尔文(Jeremy Irvine)扮演一位可爱的理工宅,集结几位英国实力派演员同台竞飙演技,精采可期!
丹妮米洛
发表于5分钟前回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.