对于南港的居民们来说，春暖插凯蒂（朱莉安·浩夫 Julianne Hough 饰）的到来是一件大事，春暖插尽管这个年轻漂亮的姑娘彬彬有礼行为无可指摘，但有关她的猜测和质疑从未停歇。对于凯蒂来说，自由又宁静的南港是疗伤的好地方。可是，一个人无论逃得多远，都无法逃脱他的过去，凯蒂也是如此，她越想忘记曾经发生的可怕的一切，就越是被这段记忆所困扰，所以她明白，南港并不是久留之地。在南港，凯蒂结识了英俊帅气的青年艾利克斯（乔什·杜哈明 Josh Duhamel 饰），后者的温柔关怀动摇了凯蒂离开的决心，在日积月累的柔情陪伴之下，两个年轻人之间的距离越来越近。艾利克斯的出现能够改变凯蒂的命运吗？
回复 :在雪雾弥漫的清晨，一辆摩托车载着两个戴头盔的姑娘驶上立交桥。突然，摩托车猛地加速，撞坏桥栏杆，连人带车直坠桥下。这起交通事故，使公安局搁置10年的翡翠麻将案有了新的线索。从死者蓝芸身上发现翡翠麻将的一张么筒，而要求追查这副麻将下落也是蓝芸。刑警队长陈庭接到报告，立即进行调查。陈庭在蓝芸的卧室发现她与一青年男子的合影照。经了解，这个青年叫裴宁，是那辆摩托车的主人。陈庭又去找蓝芸单位的经理，经理介绍说：蓝芸是公司的美术设计，和她一起出事的叫贺尘，两人都爱上了裴宁，为此，蓝芸还打了裴宁两记耳光。陈庭去调查裴宁，裴宁讲述了大约在半年前，他陪着打扮妖治的蓝芸逛自由市场，没想到她竟向服装倒爷唐小亮大卖风情。从此，裴宁疏远了她而亲近贺尘。唐小亮溜进停尸房，盗走蓝芸身上的那张翡翠麻将。公安人员跟踪调查，发现唐小亮、女歌星宋媛也在打听这副麻将的下落。在一个深夜，宋媛打电话给一个男从，公安人员立即查出对方的电话号码。陈庭感到破案有希望了。但宋媛却被人杀害。陈庭马上逮捕那个男人，这个男人正是贺尘的父亲贺维明--蓝芸家的才邻居，蓝父单位的党办主任。正是他在"文革"中盗走了蓝家的那副翡翠麻将牌。然而，案情并未结束。蓝芸的死，使贺尘的精神倍受折磨，她摇着轮椅来到出事地点，长时间地悼念自己的好友，良心的谴责使她痛不欲生。她想触电自尽，被赶来的陈庭用枪打断电线。原来，贺尘得知蓝芸追查的那副麻将竟在自己家中，感到极大震惊，她了解蓝芸的性格，于是她借来裴宁的摩托车，想与蓝芸同归于尽。唐小亮深深爱着蓝芸。蓝芸死了，他也疯了。他用手指在蓝芸的墓碑上划着，划出"永垂不朽"几个血字。陈庭也来墓地。案子破了，人也死了，人和人之间为什么要如此争抢残杀？他但愿这是最后一个这样的案子。
回复 :一对喜欢冒险的夫妇说服他们的朋友去探索澳大利亚北部森林中一个从未有人踏入的洞穴系统。忽然暴风雨来临，大家决定进入地下洞穴避难。不想洪水冲进了洞穴，氧气含量逐渐下降，大家被困在了一个完全未知的环境里。他们没有料到的是，潮湿的空气和不断上升的水位只是这次旅程最小的挑战，洪水还带来了最危险的捕食者：一群危险又饥饿的鳄鱼。当危险逐渐升温，这群朋友之间彼此隐瞒的秘密渐渐被揭开，他们争吵打斗、彼此背叛，只为在这个险境中生存下来。
朱文昌
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
