丹麦第一神(经)编剧安诺斯托马斯延森和美剧《汉尼拔》扮演者麦斯米科尔森早期电影,僵尸两人05年合拍神片《亚当的苹果》 还合作过好多黑色喜剧,僵尸本片讲四个黑帮分子偷老大的巨款开餐馆且各自回忆童年,充满荒诞和丹麦式冷幽默,结局(看起来)相当治愈,世纪之交的北欧出了好多黑色喜剧,当时丹麦第一神(经)编剧的功力已现端倪,那时麥叔还没成为汉尼拔,居然演了个背心暴力男......
丹麦第一神(经)编剧安诺斯托马斯延森和美剧《汉尼拔》扮演者麦斯米科尔森早期电影,僵尸两人05年合拍神片《亚当的苹果》 还合作过好多黑色喜剧,僵尸本片讲四个黑帮分子偷老大的巨款开餐馆且各自回忆童年,充满荒诞和丹麦式冷幽默,结局(看起来)相当治愈,世纪之交的北欧出了好多黑色喜剧,当时丹麦第一神(经)编剧的功力已现端倪,那时麥叔还没成为汉尼拔,居然演了个背心暴力男......
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :一个男子阴差阳错背负上了撞人逃逸的罪名,他在试图找出幕后凶手的同时,也发现自己正遭到警察和真正罪犯的追捕。
回复 :影片讲述明朝末年,战事紧急,扬州失bbb。清兵向南京进攻,明朝官员只顾寻欢作乐,无心应战,趋之投降。时下,清兵攻至南瞄京城下,形势万分危急,有情有义的风尘女子葛嫩娘,誓死忠于明朝,她挺身而出,披挂上阵,亲自率领明朝爱国志士与清兵展开了一场英勇战斗,不幸被捕,誓死不降。