商人杰弗里为发展事业携妻子阿德瑞娜搬到了新的城市居住,图片不久阿德瑞娜便遭到了绑ddd。警方束手无策,图片杰弗里只得求救于该方面的专家,保罗。保罗一面设法与绑匪周旋,一面与警方联手寻找绑匪下落。而阿德瑞娜在绑匪维克托的照料下,开始乐观面对困境,同时整日心神不宁的杰弗里在女秘书依丽莎的陪伴下,也镇定许多,但阿德瑞娜与杰弗里并不知道依丽莎与维克托正是这起绑架案的主谋,四人之间的关系变得极度复杂,阿德瑞娜最终能够得救吗?而这场感情纠葛又将以何种方式结尾?
商人杰弗里为发展事业携妻子阿德瑞娜搬到了新的城市居住,图片不久阿德瑞娜便遭到了绑ddd。警方束手无策,图片杰弗里只得求救于该方面的专家,保罗。保罗一面设法与绑匪周旋,一面与警方联手寻找绑匪下落。而阿德瑞娜在绑匪维克托的照料下,开始乐观面对困境,同时整日心神不宁的杰弗里在女秘书依丽莎的陪伴下,也镇定许多,但阿德瑞娜与杰弗里并不知道依丽莎与维克托正是这起绑架案的主谋,四人之间的关系变得极度复杂,阿德瑞娜最终能够得救吗?而这场感情纠葛又将以何种方式结尾?
回复 :★第22届日本HORROR小说大赛读者奖,令人心痛落泪的作品。★让人热泪盈眶,青春惆怅系恐怖小说。★书店店员支持度No.1!‧「每一页都不容错过、触动内心的情节。」‧「书中充满浓厚的推理元素,非常符合我的喜好。」‧「我有预感这部作品会成为惆怅系惊悚小说的代表作,推荐给想看感动类惊悚小说的读者。」你有想遗忘的记忆吗?失去这段记忆之后,你,还是你吗?大学生辽一爱慕罹患严重夜路恐惧症的学姊杏子,辽一耐性陪伴著她,希望能疗愈杏子的恐惧症,然而,杏子却将希望放在都市传说「记忆使者」──传说中,记忆使者能帮人消除想遗忘的记忆。某一天,杏子竟能自己走夜路回家,看似治愈恐惧症的她,却将辽一的事忘得一乾二净。开始追寻真相的辽一,发现青梅竹马的邻居玩伴真希似乎也失落了一段重要的记忆;此外,就连他自己的脑中也出现不可思议的空白断层。究竟「记忆使者」是不可见人的脑外科手术?抑或是传说中能「吃掉」记忆的怪人?辽一努力追查的同时,却战栗地发现记忆使者早就潜伏在他身边,虎视眈眈……
回复 :一部纯粹讲述河南人自己的故事这是一部纯粹的河南制造,故事是河南的,编制是河南的,导演也是河南的,演员还是河南的,尽管友情出演的大腕家住北京,追溯历史祖籍还是在河南。当爱是一种痛苦时,被爱也是一种痛苦。电影围绕着“富二代”郑满仓对女友执着的追求好关依依赌气的一句话,拉开了全篇的序幕:郑满仓为了完成对关依依的承诺,邀请明星大腕做主婚人,伴郎、伴娘,拿出了1000万举办婚礼。婚庆公司如天上掉馅饼,组织全体人员精心策划,并三进京城邀请明星大腕,几经周折终于完成了这桩“婚事”,可就在婚礼当天出现了大穿帮,请来的明星大腕竟然是一帮模仿秀,婚礼在人们的议论和嘲笑声中不欢而散。这场风波过去了,它告诉人们一个哲理:金钱不是万能的,爱用钱时买不到的,它需要真情的付出,它还需要有缘……
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...