癸卯兔年,蕾丝花果山隔壁的大猫黄貔接受了五路财神的使命托付,蕾丝去人间寻找风水宝地种上摇钱树,为人间增财纳福。然而这趟旅程一开始便波折不断,天降的神猫被当成了流浪猫关在了宠物医院,在生肖官卯兔夫妻的帮助下,黄貔和他的五路分身会合,在天选之地突破了自我、完成了使命。
癸卯兔年,蕾丝花果山隔壁的大猫黄貔接受了五路财神的使命托付,蕾丝去人间寻找风水宝地种上摇钱树,为人间增财纳福。然而这趟旅程一开始便波折不断,天降的神猫被当成了流浪猫关在了宠物医院,在生肖官卯兔夫妻的帮助下,黄貔和他的五路分身会合,在天选之地突破了自我、完成了使命。
回复 :The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.源自:https://iffr.com/en/iffr/2023/films/endless-borders
回复 :Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
回复 :以「忘川」、「孟婆」為概念,跨越年代三段時序,有關靈魂學習如何前進的愛情故事。