朱哲琴
发表于5分钟前回复 :电视剧讲述了张大民(梁冠华 饰)一家搬进新居后,面对装修和生活琐事中的一系列困扰和挑战。从左邻右合的噪音到岳母李大妈被装修工头骗财的不幸遭遇,以及楼上豪华装修的王科长家卫生间漏水问题,每一件事情都在影响张大民一家的生活。尽管张大民努力通过自己的努力解决问题,例如为了支付装修费用而用自己的钱,但这些努力似乎带来了更多的麻烦和混乱。他们甚至需要穿雨衣才能使用自家的卫生间,使生活变得异常困扰。在这个过程中,邻居青年的装修启发了张大民,使他决定将自家涂成蓝色,营造海洋的感觉,为家人带来一些愉悦的氛围。然而,生活中的困境并不止于此,儿子小树要考高中,为了争取特长生资格,张大民省吃俭用,让孩子学吹小号。然而,他们面对的问题不仅仅是装修和学业,云芳考得会计证但无法聘用,而大民不得不当起了送水工。
海燕
发表于1分钟前回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.