故事发生在宋朝时代，中文字幕陈世美（马长礼 饰）和秦香莲（张君秋 饰）本是恩爱的夫妻，中文字幕心怀着远大理想的陈世美决定进京赶考，秦香莲则一边照顾两人的孩子一边留在老家等待丈夫的喜讯。功夫不负有心人，陈世美果然一举夺得了头筹，然而，命运的意外转变也激发了他内心的心魔，他早已经忘记了在老家的藏糠之妻，只想着如何成为驸马爷。眼看着丈夫迟迟没有归来，秦香莲决定带着孩子入京寻夫，没想到，陈世美不但不理会二人的苦苦哀求，更想要杀死两人灭口。最终，秦香莲找到了包拯诉说自己的冤情，包拯一怒之下将陈世美铡死了。
大泷咏一
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :古斯塔夫（利诺·文图拉 Lino Ventura 饰）是一位资历老道的黑帮分子，在锒铛入狱之后，他挖空心思，终于越狱成功。之后，古斯塔夫投奔了住在巴黎的妹妹马努奇（Christine Fabréga 饰），希望能够得到她的庇护。古斯塔夫早已经厌倦了帮派里的明争暗斗，因此，他决定伙同一帮亡命之徒，再干最后一票，凑足了“养老金”，就此金盆洗手，然而，在黑道里常年浸淫的他，真的会这么容易的就改头换面吗？警探布罗特（保罗·默里斯 Paul Meurisse 饰）就如同一只雄鹰追随猎物那样的紧紧跟在古斯塔夫的身后，他不要金钱，不要权利，唯一的目的，就是有朝一日，能够找到机会，将古斯塔夫捉拿归案。
回复 :口哨声响遍土耳其偏乡的高山低谷，是村民隔空传话，也是哑女与人沟通唯一途径。贵为村长爱女，虽免戴头巾的规范，却难避众人鄙夷目光。奔走山岭，希望射杀野狼以赢得尊重，不料被神秘负伤男子突袭，肉体心灵亦一并被俘虏。饿狼传说令人心惶惶，未及父权社会的封建巨灵，更令少女恐惧。一趟北部之旅与坚毅女子偶遇，启发辛却斯与佐凡尼提谱写这现实、梦幻与民间神话交织的故事，以自由呼啸，为独立自强的女性呐喊。
