剧情简介
少林Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them what is in the basement may well change their lives forever.
少林三十六房
少林Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them what is in the basement may well change their lives forever.
回复 :本片根据真实故事改编，讲述了1983年12月9日，太原十五中学生池越忠在迎泽公园后湖，挺身上前搭救两名落水儿童，自己却也陷入冰窟。随后赶到的迎泽公园绿化队队长王志胜3次潜水救起了这3名学生，池越忠因抢救无效不幸遇难。这两名被救儿童由于不同的家庭教育、不同的人生志向，走上了截然不同的人生道路：一名长大后报名参军，复员后勤恳工作；另一名由于家庭过分溺爱等因素，最后参与了黑社会组织，堕落为杀人犯被判处死刑……
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :Famed rock and roll guitarist Johnny Thunders arrives in New Orleans to get his life together after a toll of hardships, but instead falls into a dark journey and trail of events that are based on his real life unexplained mysterious death.
