剧情简介
本片根据法国文豪莫泊桑的名著《奥尔拉》（法语：中文字幕Le Horla）改编；主人公以第一人称的形式进行叙述。以日记形式描写了主人公的焦虑和恐慌：中文字幕他感觉到有一个看不见的生物体存在于他的周围，并命名其为« 奥尔拉 »。 他开始还是清醒的，然后在试图摆脱奥尔拉无形的控制过程中，逐渐变得疯癫。
中文字幕永久视频2018
本片根据法国文豪莫泊桑的名著《奥尔拉》（法语：中文字幕Le Horla）改编；主人公以第一人称的形式进行叙述。以日记形式描写了主人公的焦虑和恐慌：中文字幕他感觉到有一个看不见的生物体存在于他的周围，并命名其为« 奥尔拉 »。 他开始还是清醒的，然后在试图摆脱奥尔拉无形的控制过程中，逐渐变得疯癫。
回复 :影片改编自恐怖小说大师克里夫·巴克的短篇作品，聚焦“糖果人，传说你对镜子说5次他的名字，他就会在倒影中出现，把你杀死”引发的故事。
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :公元73年，班超“投笔从戎”,率三十六人出使西 域，以“不入虎穴焉得虎子”的英雄气概，收部善、破莎 车、胜龟兹，打败北匈奴，设立西域都护府，打通了尘封 65年之久的丝绸之路，西域再次回到东汉中央王朝的怀抱。 人之初，性本善——班超传播和推广汉文化，并将中原先进农业技术带到了西域，开挖井渠灌溉农田，羊肥马壮，国富民丰，安居乐业，一派祥和的太平盛世。一位英俊的少年骑了一匹骏马飞驰而来，他叫班勇，是班超与长夏之子。
