剧情简介
黑雾
黑雾王志文版
黑雾
津亭
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
回复 :Athena是一个香薰班的导师，内心充满了丰富情感。她每天都过着十分落寞的生活，每天都是同样的一个模式，每天都会买一个气球写上并放飞自己的心情。有一天她洗澡的时候听到了楼顶上的巨响，看见了一个有翅膀的庞然大物，原来是个受伤了的天使（金城武 饰）。天使需要每天靠爱来维持生命，Athena便每天带着他穿梭在城市中。天使也知道原来Athena一直闷闷不乐是因为她一直牵挂着死去的前男友，天使也决定帮她找回快乐与朝气。天使得知，在千禧年来临的子夜弥撒中，梵蒂冈的圣门会打开，天使便可以回到属于自己的地方，他请求Athena带他到梵蒂冈……
回复 :十八岁的“红星社二代”乐队主唱沈绮（付梦妮 饰），在一起事故中，与刚从香港归来的风度翩翩中年男子方家成（张智霖 饰）一眼投缘。方家成为了在母亲面前隐瞒在香港失业无奈回到上海的秘密，瞬念之间“绑架”了沈绮当自己女友。情窦初开不识风情的沈绮，就此一发不可收拾，酒吧买醉，江边狂呼，现场邀唱，死乞白赖，萝莉不善爱情，只能真情呼唤。方家成似乎有所回应，却又犹豫不决，毕竟一段二十年前的回忆不断困扰，无法释怀，情何以堪。就在沈绮死了念想决然去澳洲念书的时候，一个从黄浦江里捞上来的旧箱子，揭开了一段非凡时空的秘密……
