有两位父亲的十几岁少年制作了一部有关双亲的纪录片,不要却不料离奇的情节开始在他的家中真实上演。
有两位父亲的十几岁少年制作了一部有关双亲的纪录片,不要却不料离奇的情节开始在他的家中真实上演。
回复 :《红色警戒》是一部有关缉毒题材的悬念动作影片,故事取材于永泰一个农村家庭发生的真实故事,并在福州大量取景。主角王力因童年阴影,从警校退学后当外卖员,因兄弟孙昭和女友白美丽而卷入毒奶茶事件,发现竟与19年前父母的死有关,最终他战胜自己的恐惧心理,成为继承父亲遗志的一名缉毒警察。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :在威尔斯的一个小镇,家庭主妇贝蒂和丧葬业者波里士,不想去面对两人之间没有结果的感情,因为贝蒂嫁给了下流的镇长,虽然两人的婚姻早已有名无实。日子一天天缓慢地过去,直到镇长的母亲窒息死亡,因为安排丧礼的缘故,终于又让波里士和贝蒂重聚。两人这一次决定要忠于内心的感情,但并不想造成任何混乱,于是计划让贝蒂假死,再一起搭着豪华邮轮私奔到南太平洋的小岛。不过当镇长和他的情妇马瑞迪丝计划杀掉贝蒂,好继承她庞大的家产和保险金时,让情况变得加倍复杂。于此同时,法兰克费瑟贝则想用夸张的赌城式风格来垄断镇上的丧葬业,有踢跶舞表演、金碧辉煌的亮片装饰,还有买二送一的大优惠。