单亲妈妈阿琳·麦肯尼（海伦·亨特 Helen Hunt饰）生活拮据，牛羊为了抚养儿子特雷弗·麦肯尼（海利·乔·奥斯蒙特Haley Joel Osment饰）而拼命工作，牛羊唯有借酒消愁才能打发深深的失落与无助。相依为命的两母子，一直过着毫无希望的生活。然而这一切在有一天发生了改变。特雷弗的社会学老师尤金·赛门特（凯文·斯帕西Kevin Spacey饰）布置了一道特殊家庭作业：让世界变得更美好。深信善有善报的特雷弗，决心从自己做起，于是他把无家可归的流浪汉请到了自己家中。以彰显人性本善，宣传世界美好为题的社会伦理片《让爱传出去》，由美国女导演咪咪·莱德执导。咪咪为本片推出全奥斯卡阵容：曾获奥斯卡最佳男主角的凯文·斯帕西担当男主角，女主角则由荣获过奥斯卡最佳女主角的海伦·亨特出演，童星海利·乔·奥斯蒙特饰演让世界变得更加美好的小主人公特雷弗。
回复 :本片根据真实事件改编。描述一对夫妇攀登雪山却遭遇险境……
回复 :影片讲述一个19世纪的巴西人，让庄园主的三个女儿都怀了孕后，被流放到西部非洲从事贩卖奴隶的勾当。他为了达到目的，跟当地人建立交情，甚至推翻了一个疯狂的君主，自立为王。几年过去了，他越来越有钱，也越来越大胆。
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
