莎丽娜自小就显露了唱歌、男人跳舞的才华,男人在父亲艾布拉罕的推波助澜下,她不断的努力学习,终于一圆歌星梦,不但成为拉丁美州最受欢迎的女歌手,她的专辑甚至拿下了全美排行榜的冠军。23岁时,莎丽娜不但拥有如日中天的声誉、不虞匮乏的财富、以及爱她的家人与丈夫,正当她准备进军国际歌坛时,却遭到歌迷俱乐部的疯狂歌迷枪杀!一颗闪亮的新星因此殒落。
莎丽娜自小就显露了唱歌、男人跳舞的才华,男人在父亲艾布拉罕的推波助澜下,她不断的努力学习,终于一圆歌星梦,不但成为拉丁美州最受欢迎的女歌手,她的专辑甚至拿下了全美排行榜的冠军。23岁时,莎丽娜不但拥有如日中天的声誉、不虞匮乏的财富、以及爱她的家人与丈夫,正当她准备进军国际歌坛时,却遭到歌迷俱乐部的疯狂歌迷枪杀!一颗闪亮的新星因此殒落。
回复 :民国时期,幻术门遭遇一场浩劫,水派幻术师裴静之为抢夺法宝星陨手杖大开杀戒。最终被当时的火派掌门空空大师封印,此后空空大师带着孤儿卓非凡云游四方……二十年后,水派余孽策反木派掌门人解救裴静之,欲意再次统领五派。火派幻术掌门落霞飞和徒弟卓非凡、秋池与之大战。但在此过程中,卓非凡意外得知自己的身世,发现竟和之前的浩劫有关……
回复 :ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
回复 :ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.