剧情简介
摄影师徐然在一次拍摄中意外经历车祸后失明，加藤遭到女友谢薇薇的抛弃，加藤在他对生活失去信心，心灰意冷的时候遇见了李佳佳，李佳佳一直照顾着徐然帮助他重拾生活的信心，在这个过程中她也渐渐喜欢上了徐然，李佳佳不顾家人的反对毅然的选择和双目失明的徐然在一起两人一起在残疾人协会做义工，不料徐然再次被失控的推车撞到，这次却又因祸得福恢复了视力，而这时徐然发现李佳佳离他而去，原来李佳佳因为自己儿时脸上留下的疤痕觉得自己配不上徐然，虽然两人爱情历经种种困难，但最终还是走到了一起。
加藤爱视频
摄影师徐然在一次拍摄中意外经历车祸后失明，加藤遭到女友谢薇薇的抛弃，加藤在他对生活失去信心，心灰意冷的时候遇见了李佳佳，李佳佳一直照顾着徐然帮助他重拾生活的信心，在这个过程中她也渐渐喜欢上了徐然，李佳佳不顾家人的反对毅然的选择和双目失明的徐然在一起两人一起在残疾人协会做义工，不料徐然再次被失控的推车撞到，这次却又因祸得福恢复了视力，而这时徐然发现李佳佳离他而去，原来李佳佳因为自己儿时脸上留下的疤痕觉得自己配不上徐然，虽然两人爱情历经种种困难，但最终还是走到了一起。
刘韵
回复 :35岁的吴谦经营一家网球馆，虽然网球馆经营不良，但他对网球的热爱一直没有改变，在事业面临瓶颈时，参加业余网球比赛获得冠军成了支撑他继续坚持的唯一信念；职业女性徐莹由于职场失利几乎要放弃网球时，打网球却成了她情绪的发泄口；小雨在毕业的十字路口找工作却处处碰壁，打网球成了她打发业余时间的最好消遣······这样的三个人组成的战队，在职业选手钱乐的帮助下征战业余网球比赛，通过团队队员之间不断的磨合，相互鼓励，最终逆袭获得冠军。比赛结束后，每个人都打开了自己全新的一面。是网球教会了他们坚持爱，努力爱，成为战胜自己的人；也通过网球，让他们更加的相信自己，认识自我，每个人都找到了那个最初的自己。
回复 :The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.Plot:As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
孙晓亮
回复 :一群远离文明世界的人生活在日本南岛上。太根吉一家属于岛上祭神巫女的家系，其祖父山盛还有着神与非人的性格。太根吉和妹妹太马的关系有些暧昧，太马却被岛上的头目龙立元强行纳为侍妾。龟太郎是太根吉的儿子，他非常向往都市的文明生活，极度反感岛上的生活习俗，却无法打破岛上的陈规陋习。岛上的人长期以来都靠种甘蔗为生，现在需要建设一个糖厂。东京某技术员到岛上对糖厂的水源问题进行考查，建议以大瀑布为水源，遭到岛上居民的强烈反对。一个资本家想在岛上修建机场，需要太根吉一家搬迁，却被太根吉断然拒绝。祭神之夜，太根吉和妹妹太马划船出海时见到了龙立元的尸体。一群年轻人划着两条船追了上来，龟太郎是其中的一个。他们用船桨打死了太根吉，而太马则被捆到了桅杆之上……影片根据戏剧《被禁忌的海屿》改编，将社会学与民俗学熔于一炉，描写了日本民族的一种潜在意识，人与人之间的复杂关系，人们恍惚的精神状态，不断重复的单调劳动，对政治的漠不关心……影片的结尾颇有意味，将其简单地视为青年人对文明社会的向往和对抵抗文明建设的太根吉的制裁恐怕也失之武断。影片作为战后派导演今村昌平的代表作之一，被称为是论文式电影，对日本社会民族传统潜在的家长制作了深刻的揭示，论证了这是产生军国主义的土壤。影片被列为1968年日本十部最佳电影第一位，今村昌平获得了导演奖。1971年获罗马宗教电影节金奖。入选了日本名片200部。
