电影《棉花白了》是一部农村儿童题材影片，澄沙讲述了城里的孩子小波，澄沙暑假里带着心爱的狗狗到农村姥姥家度假。在姥姥家，他和农家孩子去河里摸鱼、逮老鼠，玩得不亦乐乎。在玩耍中，他发现姥姥和村民田伟家有种奇妙的，令他不懂、不解的特殊关系，带着孩童的稚气好奇心，他想一探究竟……原来田伟的舅舅，村里有名的傻子的疯和姥爷有关……引出了一段令人恻隐的关于傻子的亲情、爱情故事。最终，小波和表哥用他们童真的爱心，化解了两家积怨几十年的深仇大恨，消除了笼罩姥姥心头的“阴霾”，从此，姥姥家重回湛蓝的晴空……
回复 :本片根据鲛人之泪的古代传说，结合奇幻武侠元素，讲诉了一个欲望产生原罪，恩怨相生的故事。昆仑门的掌门之子姜天阳一心想要夺取掌门之位，并为此修炼邪功元墟大法，联合鲛人洛夕杀回昆仑门复仇，却发现是非颠倒，善恶逆转。而他也因为修炼邪功而走火入魔，被反派所控制。为了拯救爱人，洛夕牺牲自我，并用最后一颗鲛人泪化解了姜天阳的邪功。本片用罗生门似的几重反转，表达了是非善恶对立和统一的观点，极端偏执的情感会促使悲剧的产生。故事里的主人公从一开始的为了夺位复仇，到认识了贪婪会产生原罪，并成长为行侠仗义的侠客，体现了英雄成长的心路历程。片中的女主角在危机关头放下仇恨，牺牲自我帮助男主挽救了危机，在悲剧中讴歌了宽容、无私、奉献、的爱情主旋律。
赵亮
回复 :麦克（乔恩·费儒 Jon Favreau 饰）一直希望能够成为一名演员，但无奈运气不佳，总是错过成名的大好机会，至今仍然名不见经传。为了实现自己的梦想，麦克决定离开家乡前往好莱坞，渴望着能在那里得到更多的机遇，为此，他不得不和交往多年的女友分手。恢复了单身的麦克久久无法从这一段感情之中抽离，每天都生活在郁闷和悲伤之中。沃克（文斯·沃恩 Vince Vaughn 饰）是麦克的好友，他再也看不下去麦克的消沉和沮丧了，于是决定带他出去好好的开开眼界。沃克自认为是情场浪子，和每一个遇见的姑娘调情游刃有余，虽然麦克一直跟随着沃克的脚步，但在内心里，他对爱情依然保留着渴望。
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
