弗朗西斯是一名税务调查员，无码此刻，无码他正面临着一生中最灰暗的时刻。妻子出轨，女儿被害，为了排遣生活的压力，他频繁的出入色情酒店，并结识了名叫克里斯蒂娜（米娅·科施娜 Mia Kirshner 饰）的舞女。弗朗西斯对克里斯蒂娜情有独钟，原因只有一个，那就是克里斯蒂娜的样貌酷似他的女儿。可是，酒店主持人艾里克（伊莱亚斯·科泰斯 Elias Koteas 饰）对弗朗西斯的行为大为火光，他设计引诱弗朗西斯触犯了酒店的规矩，之后将他胖揍了一顿。心中充满愤怒的弗朗西斯决心复仇，正巧，一个名叫托马斯（唐·麦凯勒 Don McKellar 饰）的商人因偷税漏税被弗朗西斯抓住，弗朗西斯利用托马斯将艾里克引出酒店，自己则在门口守株待兔，一场悲剧眼看就要发生。
回复 :这部纪录片以纳萨尔格纳瓦乐队为线索追溯到灵魂音乐之起源，也就是一千多年前的摩洛哥，一千多年前的非洲大陆。导演希望通过这部纪录片能向世人展示这种宝贵的文化遗产之魅力。片中着重介绍了撒哈拉音乐，纳萨尔格纳瓦音乐以及著名诗人埃尔·梅迪巴的诗歌节选。
回复 :故事聚焦一位有前科者，他被克里斯平·格洛弗扮演的变态杀手所追踪。
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
