故事发生于民初，精品三个天师仔方岚（杜德伟）、精品林文峰（陈庭威）及陆长安（许志安），不甘屈于穷乡承继父业做天师过一生，遂齐到龙城县闯一番事业。三人机缘巧合，得到一笔巨款，遂合资开设西茶室，方岚结识县长叶泉（杨泽霖）之女叶嘉欣（李婉华）二人共坠爱河，惜二人阶级悬殊，感情屡起波折，其后黎月嫦（何美婷）介入，发展成一段三角恋。 文峰则爱上千金小姐罗美娥（蔡嘉利），娥崇洋，不屑与峰来往，后娥父破产，峰加以照顾，终打动其芳心。 县长之秘书姜文（欧瑞伟）密谋报仇夺位，狄英（骆应钧）欲杀方庆（林蛟）及林荣（秦煌）报仇，二人合作，利用僵尸四出作恶，后更与盗墓贼韦约翰（戴志卫）狼狈为奸，弄至满城风雨，嘉欣复被利用杀死亲父，长安及其爱人小梅亦惨死，岚、峰为公为私，誓与文对抗到底…
回复 :这部四集的电视剧改编自C.J.桑索姆国际知名的都铎谋杀悬疑小说，故事发生在16世纪的英国，当时修道院正在解散。 该剧将讲述马修·沙德莱克(Matthew Shardlake)的故事，他是一名具有敏锐正义感的律师，也是这个充满诡计和阴谋的世界中为数不多的诚实人之一。沙德莱克为托马斯·克伦威尔工作，他是亨利八世危险而全能的得力助手。 尽管沙德莱克对克伦威尔和王室忠心耿耿于怀，但由于他的外表，他在社会上的地位并不受欢迎。
回复 :作为一部从东方神话故事中汲取灵感，以中华传统文化引领精神脉络的古装玄幻剧，故事讲述王子武庚拥有神族和人族的双重血脉，天资不凡，桀骜不驯。然辛国被神族覆灭，父母离世，高高在上的王子沦为奴隶。武庚在困境中历经磨难，与市井少女白菜和一群志同道合的朋友相识，带领人族集结神隐部、妖族、海灵族等，携手对抗强大的神族。武庚不断磨砺成长，从国仇家恨到为天下苍生而战，不断成长强大，成为天之战神。
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
