剧情简介
主人公爱玛在她10岁生日那天遭受可怕的创伤，萨沙从此她决定不再庆祝生日。这天是爱玛21岁生日，萨沙闺蜜艾丽欣坚持要为她举办一个惊喜的派对，此举令爱玛感到异常恐惧。。。
萨沙曾在这里
主人公爱玛在她10岁生日那天遭受可怕的创伤，萨沙从此她决定不再庆祝生日。这天是爱玛21岁生日，萨沙闺蜜艾丽欣坚持要为她举办一个惊喜的派对，此举令爱玛感到异常恐惧。。。
回复 :超自然惊悚片【The Boat】预告片，一个渔夫在迷雾中发现一艘弃船，登船之后，发现这是一艘全自动个人化的幽灵船。导演是Winston Azzopardi，主演是Joe Azzopardi，他俩这是这部低成本电影的编剧，翻拍自他俩2016年的短片《Head》，整部电影就只有一个人和一艘船。
回复 :Waking up after giving birth, Mayang gets the news unlike what she expects from Reza, her husband: their first baby has died. Both of them are experiencing tremendous depression. Mayang can not accept it. Everyone at the hospital is sure that she is hallucinating. She contacts the police to look for a bright spot in this strange case. Dr. Vera who helped her give birth, provides evidence: the document of her baby's death with several photographs of the incident. Mayang who chooses not to give up begins to be considered crazy by some people in the hospital, including her own husband. Moreover, she feels to be followed by a spirit.
凡人二重唱
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
