剧情简介
影片叙述一个妓女和她的情人寻求拯救他们灵魂的道路，当花使他们从污泥中的儿女变成太阳下的儿女。当剧中的男主角鼓起勇气在象征邪恶的坏蛋脸上打了一个耳光以后，当花他们两人终于获得了他们所追求的目的。
当花季遇见梦想
影片叙述一个妓女和她的情人寻求拯救他们灵魂的道路，当花使他们从污泥中的儿女变成太阳下的儿女。当剧中的男主角鼓起勇气在象征邪恶的坏蛋脸上打了一个耳光以后，当花他们两人终于获得了他们所追求的目的。
林志美
回复 :20世纪80年代初，来自匹兹堡的瑞泽·夏普（西尔维斯特·史泰龙 Sylvester Stallone 饰）和基德·麦克唐（罗伯特·德尼罗 Robert De Niro 饰）上演了两场倾倒世人的经典拳击比赛。但在1984年的赛后不久，如日中天的瑞泽突然宣布退役，并很快花光所有财产，重新变回为了生计而出卖劳动力的普通工人。与之相对，基德也持续下滑，代言各种不入流的广告，靠卖嘴皮子打发时光。2014年的某天，瑞泽当年的经纪人之子小但丁（Mason Mackie 饰）找上门来，邀请他参与某款游戏的制作。谁知在制作现场，瑞泽和不请自来的基德大打出手，二人乱斗的视频在网络上疯传，他们的三十周年纪念之战也重新提上日程。只不过早已过了巅峰状态的二人，能否应对时光的消蚀，并放下心中芥蒂，完成这场迟到的对决……
小林桂
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
回复 :退役华籍英军关超 (林家栋 饰) 加入黑社会维生，但近年经济不景，经常入不敷支。一天，南亚裔古惑仔文尼 (Bipin Karma 饰) 为躲避仇人，误闯关超家，文尼以三十万酬劳哀求他收留五天，关超欣然接受。另一边厢，关超早前促成了江湖老大大口泰 (袁富华 饰) 与台湾黑帮菜甫 (杜燕歌 饰) 的金钱龟走私交易，大口泰收货后竟发现货不对办，要关超交还一百五十万订金！文尼突然拿出一包毒品供关超换钱还债，事情像是完结之际，文尼竟又被大口泰的手下捉走！关超会自保逃走，还是冒险拯救这位相遇相知的新朋友？关超吸一口手捲烟，作出了最终的决定！