剧情简介
一个瑞士家庭在移民海外时，合集他们所乘的那艘船不幸遭遇海难，合集幸运的是他们一家人都流落到了一个热带荒岛之上。刚到荒岛上，一家人感到很迷惘，不过他们逐渐克服了生活上的困难。在以后的日子里，他们以乐天的生活态度将这个荒岛变成了人间天堂。这是一部相当有趣的家庭冒险片，既惊险又惹笑，是同类电影片的代表作，其中以一家人与动物赛跑的那场戏是全片的高潮。
合集视频
一个瑞士家庭在移民海外时，合集他们所乘的那艘船不幸遭遇海难，合集幸运的是他们一家人都流落到了一个热带荒岛之上。刚到荒岛上，一家人感到很迷惘，不过他们逐渐克服了生活上的困难。在以后的日子里，他们以乐天的生活态度将这个荒岛变成了人间天堂。这是一部相当有趣的家庭冒险片，既惊险又惹笑，是同类电影片的代表作，其中以一家人与动物赛跑的那场戏是全片的高潮。
江欣慈
回复 :本片乃是编导对一起发生在70年代早期乌拉圭的真实事件的个人诠释。一个美国AID官员（他们通常的任务是作为先遣部队前往目标国家训练当地警察人员如何镇压暴乱）遭当地游击队绑架并谋杀。经过调查发现，他原来是美国政府干涉当地内政的特派人员，经游击队严刑逼供仍不吐实，于是加以杀害，在这条主线之外，影片也描写了左翼游击队和乌拉圭政府的对抗。
回复 :Three illegal drug dealers launched out on a voyage in a homemade submarine. The submarine worked well initially, but it started to malfunction. In attempting to reduce the weight somehow, they were investigating the cargo section when they discovered a young female, Reina, hidden there, and she looked appalling. As the situation gets worse, the tensions among the three men are heightened, and in the midst of this, Reina attempts to escape, but she has nowhere to go in the endless open sea.With an unusual setting of the submarine, where nothing can be seen other than the horizon, Submersible captures the tension of the conflicts between the characters and their struggle for survival, while the submarine environment itself arouses extreme claustrophobia and anxiety. The top star from Columbia, Natalia Reyes, who attracted the worldwide film industry’s attention with Ciro Guerra’s Birds of Passage (2018), and made her Hollywood debut in Terminator: Dark Fate (2019), once again draws attention in her role as Reina. (Jin PARK)
金政文
回复 :I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
