救难队员阿杰（王阳明饰）冒着生命危险跟队友在狂风暴雨中救援一艘触礁油轮，亚洲为了营救不愿放弃的游轮船长，亚洲阿杰的队长不幸被一个从深海出没“黑影”拖进海里。幸存的阿杰从此背负着同僚死亡的阴影，颓废丧志。多年后，阿杰为谋生克服阴影再次登上渔船，却被船员阿泰（郑人硕饰）、副船长阿丁(李李仁饰)等人视为不详不停挑衅。某天，众人救起因游艇翻覆落海的小菁（柯佳嬿饰）。船上因为小菁的闯入而意外频传，有人落海失踪、有人意外死亡，食物跟饮水更遭到破坏；人们开始惊惶失措，从互相扶持变成互相猜疑。而众人发现他们的危机远不止严峻的暴风考验，海底更有未知生物在觊觎着，茫茫大海中，受困者的人性也承受着巨大的考验……
回复 :剧中艾莉森和她所有的主妇朋友们，最期望的事情就是一个安静的、只属于成年人的晚上。来一顿大餐，和朋友们聊聊天，一个“妈妈外出的夜晚“是她们最需要的事情了。但是，那些成人间的愉快谈话，穿着漂亮的新高跟鞋出去的时光可不是那么容易得到的。丈夫们必须在妻子外出的几个小时中照顾孩子。
李双江
回复 :南宋年间，法海降伏白素贞，用其皮骨做成龙骨伞，此伞怨气极重，三界难得安宁。白素贞转世白子西为了摆脱宿命，穿梭在繁华都市，开启了漫漫寻找龙骨伞之路。很多年过去，身为黑车司机的白子西终于在街道上看到了拿着龙骨伞的裴小海，他夜闯裴小海家中企图偷走龙骨伞，反被裴小海擒住。重案组队长裴小海将他带入警局，并怀疑他与近日城市连环杀人案有关。随着案件的深入，裴小海发现事情并不像普通连环杀人案那么简单，为了找到凶手，以龙骨伞为诱饵，与白子西合作，两个各怀鬼胎的宿敌，竟然在调查真相的过程中，渐渐爱上了彼此。
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.