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回复 :In every generation, a torch passes from father to son. And that timeless dynamic is the beating heart of Tommy's Honor - an intimate, powerfully moving tale of the real-life founders of the modern game of golf.
回复 :影片讲述的是北京胡同里的一个三口之家的故事。丈夫赵建平,35岁,是一家小型装修公司的设计人员。妻子娟子,30岁,在某服装厂就职。他们有个6岁的儿子,活泼可爱,小名叫小兔子。娟子生性好强,争取到了赴厦门学习的机会。赵建平虽然不赞同妻子的决定,但最终还是随了她的心愿。天有不测风云。娟子走后,赵建平所在的装修公司因违章施工酿成大火。老板被拘,公司解体,赵建平一夜之间没了工作。因失火而蒙受损失的业主认为赵建平是老板的合伙人,不分青红对赵建平大打出手。撕打中,业主不慎身负重伤,赵建平被迫支付巨额医药费。就此,生活陷入困境……
回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.