剧情简介
王权天生玻璃骨骼，木下无法参加任何运动，木下却痴迷乒乓球，以参加一场乒乓球比赛为夙愿而不得。直到某日遇到了穿越次元壁的动漫角色宗冠军，才以奇特的方式如愿以偿，期间王权与宗冠军矛盾不断却渐生友情。正当王权以为站上了人生的顶点时，却发现自己被卷入到一场恶势力斗争中，并意外发现了这场斗争背后邪恶的目的。最终王权与宗冠军一起摧毁了邪恶势力的阴谋，保护了挚爱的运动和家人，但来自不同次元的他们却面临着一场永远的分离。
木下蝶视频
王权天生玻璃骨骼，木下无法参加任何运动，木下却痴迷乒乓球，以参加一场乒乓球比赛为夙愿而不得。直到某日遇到了穿越次元壁的动漫角色宗冠军，才以奇特的方式如愿以偿，期间王权与宗冠军矛盾不断却渐生友情。正当王权以为站上了人生的顶点时，却发现自己被卷入到一场恶势力斗争中，并意外发现了这场斗争背后邪恶的目的。最终王权与宗冠军一起摧毁了邪恶势力的阴谋，保护了挚爱的运动和家人，但来自不同次元的他们却面临着一场永远的分离。
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
林海峰
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