艾伦·伯斯汀、小嘀艾玛·汤普森将出演奇幻新片[迷失的女人](The Lost Girls，小嘀暂译)。本片改编自J·M·巴利的小说，瓦莱里奥·德·鲍里斯将自编自导自演这部电影。汤普森的女儿Gaia Wise也将出演本片。故事将讲述四代可爱的女性在与彼得·潘在梦幻岛的冒险经历后的挣扎，将聚焦温迪(德·鲍里斯饰)在与潘的奇幻之旅后，如何努力保持自己的创作精神。就像她的祖母(伯斯汀饰)和母亲简(汤普森饰)一样，温迪必须摆脱潘对她的控制，以及潘拼命想让她信守的承诺。当她的女儿贝瑞(Wise饰)进入潘的势力范围，温迪必须战斗，以挽救她与她的女儿的关系。
回复 :赋佳（古巨基 饰）得知身在异国的好友谭强（聂远 饰）身患绝症而去，临终前寄给他一盘录像带，托赋佳在一月之内说服女友雪薇（张韶涵 饰）忘掉他，开始新的生活。赋佳感觉手捧一个烫手的山芋，但好朋友出国前他答应替其做护花使者，怎么能推辞呢，更何况谭强已经去世。他绞尽脑汁终于在网上选中富二代David（仼泉 饰），他是女孩子心中的情圣，此公子每天的安排就是睡觉、喝咖啡、泡妞加炫豪车。在他很小的时候，得到了一笔不菲的遗产，这是他做梦都没想到的，有了这笔钱，他可不必向其他青年人一样靠奋斗去获得财富。在这个城市里，追他的女孩不枚胜举，可他在赋佳的网络设计下，爱上了充满魔力的雪薇......
金发女郞乐队
回复 :风雨交加的夜晚，一场盛大的婚礼正在某豪华星级酒店举行时，突发骇人听闻惨案，伴娘子清（李心洁）成为唯一目击证人。在警署，子清一口咬定疑凶是闭路电视上的神秘人孙玲（林嘉欣）。得知孙玲与自己的男友有着不同寻常的隐情后，因肾脏有问题一直觉得亏欠男友的子清几乎崩溃。子清受到凶徒袭击，幸得孙玲及时出手救援才捡回一命。与孙玲相处时，子清渐生宽恕和感激之心。就在两人的友谊日渐成熟之时，一直逍遥在外的真凶开始向她们逼近。
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
